we started filming a week earlier as we were ready to as well as efficiency sake, the first scene we filmed was kens work scene as some cast was missing so it made sense to film this scene. We were also already on location so it made it easier for us.
Louis and I both successfully got into character and the scene was only a minute long so it made it a quick and easy filming process.
STEVE AND CONNIE'S HOUSE
This scene was also a very smooth scene, filming wise. It was shot at Silvana's house and filmed and directed by Emma. I stumbled on my accent a few times with the words 'party' and 'later' however after I heard them being spoken in an English accent I immediately got back into character and was able to go.
Unfortunately I wasn't there for this week due to medical problems so I am going to reference Louis blog summary of this week to show the progress the group made as well as what I was recapped on-
This week we worked on improvising scenarios around our characters to build our understanding around them. We spent 5 minutes coming up with our own improvised scenarios based on implied and given circumstances in our script. Some of the ideas included:
the family Christmas dinner, with Cuckoo butting heads with Ken and Connie and Steve bursting in
Rachel and Lorna before Rachel goes off on her gap year
Lorna flirting with Cuckoo, then Ken walks in
Steve leading a karate class
Steve and Connie in their bedroom, with Steve trying to role-play Ken
Dylan and Charlie in detention
Zoe and Dylan on a date
Ken & Lorna and Connie & Steve meet for the first time
This was beneficial to all of us, as it meant we could grasp our characters on a deeper level. It also helped establish the relationships between the characters.
WEEK 5
This week was a continuation of our previous week. We continued working on the spreadsheet, continued working on our lines, and continued contacting our extras to confirm times we would be able to film. We have planned to start filming mid-march, with filming lasting around 2-3 weeks. This is to obtain realism (as if the filming was for much longer, haircuts would change). We have split the filming into 8 shoots:
KENS WORK
STEVE AND CONNIE'S HOUSE
PARTY, PREPARING FOR PARTY, KENS STUDY, TERRACE
GARAGE LAST SCENE
FAMILY MEETING, POTATO WASHING
BEDROOM
KITCHEN
VOTING, KEN AND RACHEL CONVERSATION
A key area we focused on this week was location scouting. We all went home to scout our homes and areas and sent these to each other. Originally, we decided to film at my house. This was because we were looking for a house with an island in the kitchen, that is close to the dining room. Although my house would have worked, we decided it would be breaching COVID-19 restrictions. This means we will have to film in the conference room. Although this is more convenient, it means the realism will be lowered significantly. On the plus side, we have greater access to this room and we will be able to shoot several scenes (using flats to create the different rooms).
We still want some variation in locations, which is why we have planned to film in these locations:
Library
This will be Kens Study, where he has a 1 on 1 conversation with Zoe.
Silvana's house
This will be Connie and Steve's house. It works perfectly, as it appears far more classy than the rest of our set, keeping to the theme of wealth within that family.
Terrace
We have chosen to film one of the garage scenes of a terrace, to mix up our location from being in the conference room
A school office
This is where we will film Kens office scene with Dylan
The school garage
We are planning on asking the school caretakers if we can use their garage to film the closing scene. Although it would make sense to film both on the terrace, the final scene is set in the evening, so the lighting outside wouldn't work.
My bathroom
I will film my cologne scene in my own bathroom, as a school bathroom doesn't work
We decided that we will recreate the episode of Cuckoo talked about previously
After deciding on Cuckoo, we chose our characters:
Cuckoo: Hugo Rachel: Emma Lorna: Amelie Ken: James Dylan: Louis Connie: Silvana Steve: Tristan
Our extras are:
Zoe: Olivia Charlie: Alessandro Kelly: Maddy Kelly's Husband: James Toby: Alan Toby's Girlfriend: Ella
Ken -
After being cast as Ken I looked through the episode in order to find some key points around characterisation
Throughout the episode you can clearly tell Ken is the stereotypical English dad, he misses and wishes for a sense of nostalgia. He cares about his daughter but is worried about her decision to marry Cuckoo and he considers it brash however he will support her none the less, even if it's not what he had planned.
Some smaller points to consider characterisation wise is
- 'my way or the high way' mindset
- well educated/ spoken
- slightly socially awkward
Quotes to emphasise these points
- I always imagined Rachel would marry someone educated, someone with ambition. I’d respect his opinions
- No. Well, in a way. It’s just a meeting because, well, you know, the family has a new member, which I’m delighted about, and we need to introduce him to the way we do things in this house, that’s all. No agenda.
- Look, family meetings are to make the rules up for you not for me.
- No! No vote. I suggest we all do what Dad says.
- I don’t like your food.
- I love you, too. I just miss the way we were a little bit. I’m sure I’ll get used to it, but I just…
- What? Zoe, that… that is a scandalous accusation and one that I really hope you keep to yourself.
ZOE
So what, you’re just being weird?
KEN
Well… If wanting to prepare a friend’s child for a potentially life-defining internship is weird, then yes, I’m weird. You could say that I’m weird. I’m weird.
Previously we had looked into filming a remake of the office tv show (US version) however due to several struggles especially around trying to accommodate for a small cast it became apparent that this wouldn't work as well as we had thought.
instead we've decided to look at remaking episode 2, season 1 of the Netflix original 'Cuckoo'
This felt better to us as a group as it worked better for the cast we have, has a similar style to the previous years film and tv piece (they remade Brooklyn 99) so we could follow some of their steps to make it more comfortable for us especially in terms of the pre/ post production stages and we all enjoyed watching the original.
However the difficulties we immediately noted were the locations, and dynamics between characters due to covid-19 guidelines.
We were tasked with making a small video for an advertisement to show the a brief take of what this unit will entail, split into groups we each devised our idea and put in together (our group was myself, Louis and Hugo).
Our concept
Hugo narrates the advert (film him over a green screen)
James the admirable character
Louis plays the character that is miserable, wants to be more like James
Louis is woken up by music playing upstairs (annoying neighbours) but has nothing to quiet them down with (throws toilet paper roll at the ceiling, nothing happens)
This then transitions into Hugo speaking (with background music), and discussing the 'long stick'
Then a series of 'flashback' sequences playout:
James silences his neighbours
Goes fishing in his bathtub
Cooks with it
Uses it as an umbrella in the shower
Walking
Keeps social distance between him and stranger
Plays it as a didgeridoo
Blue advert screen
Here is our final advert:
- Credit to Louis for summary of our concept
This highlighted the tasks during the pre production phase, the filming phase and finally the post production. For this unit our main focus is the filming phase as far as the acting as well as the efficiency, however we still look to make the pre production as easy as possible to it makes the filming less chaotic
Sound and Genre signification Like mentioned in previous posts the most common sound in a 1st shot is an audio bridge from the titles/idents into the actual film. This being said different audio carries different connotations towards film genres. This most obvious example is in the horror genre where rock music is often used. An example is in the beginning of the bride of Chucky. However this applies to every genre of both music and film. Such as more classical music connotes a more serious piece such as a drama or romance. Where as pop music or just generally more up beat songs would connote a comedy. This isn't the only genre signification though, as both titles and just general exposition, through use of mis en scene, provide signification of different genre's. A good example of film opening exposition is in working title's About a Boy ... ... The coffee cup connotes to a more mature and intellectual person, however the red bull can juxtaposes this. 1st Shot Looked at about 30 seconds for the start
Often -
- an extreme long shot
- establishing shot
- Uses audio from this shot to make an audio bridge from idents
- less significant titles will be on screen
- rule of thirds to show main protagonist
- audio builds up to build narrative enigma (either through volume or through genre of music)
- lots of mis en scene for narrative enigma
EXAMPLES
hot fuzz
-extreme long shot -yes and no to typical establishing shot, as it isnt outside but it is first shot and its an els and gives us idea of area - sirens cut sharp when the doors open ( signifies comedy ) - diegetic sound of doors open, but its exaggerated diegetic sound. - Character is rushing which connotesseriousness, takes his job serious and is a serious character. - Rule of thirds, shows hes central protagonist (side note 'in association with studio canal' shows junior company) - disguised cut after first shot ( but has an elipses ) - long open take ( 31 sec open take ) - close up of his serious expression, and his badge has same exaggerated impression ( comical ) - A lot of exaggerated points, such as how long his walk is, - synth note builds up tension
Bridget jones's diary
- london/ england taxis - snow, signifies christmas - medium long shot, rule of thirds, central protagonist - No hat or umbrella, + blonde female ( male gaze ) - reverse tracking shot, tracking her, voice over = central protagonist - side note - rural village appears cute, nice little village ( what WT does, normative representation of England ) Narrative enigma + Main protagonist Like mentioned above this occurs to all the examples already stated and a good point is in working titles About a Boy ... ... Well we never actually see the main protagonists face the camera follows the individual, therefor using rule of thirds we can assume that the individual is the main protagonist, yet instead of seeing the individuals face, we see more items and key aspects of his apartment. This helps build the narrative enigma as all the items play a key role in the exposition of the scene and film, however it stills builds suspense because the man isn't scene till the very end Rule of thirds is best shown in movie posters ... ... In this film poster for BJD, you can Cleary see the female is between two other males, therefor connoting that she is Bridget Jone's Mise En Scene ( Everything already talked about ) Transitioning to the main film applying this to The bride of Chucky ... ... It is clear when the main film begins because the title helps cover the scene transition, but the camera also pans up into the sky and this is a common technique (also visible in Jaun of the Dead) However in About a boy the camera doesn't pan into the air and the title doesn't appear, but instead it is that the character leaves the starting point. This is a common point in a film to break the opening from the rest of the film. As it is quite simple denotation of the character leaving their starting point ( Like a board game) This can be accompanied with a change of music to really highlight the change, and in some scenarios (especially in the zombie genre) when the problem is revealed. This is Clear in both Jaun of the Dead and Shaun of the dead ... ... ... ... Audience representation and Intertextuality It is key to appeal to your primary and secondary audience when making a film, and the opening is to get there interest so a common aim is to have audience representations so that your audience can relate to the film. This is clearly distinct between Warp and Working title films
You often see 3-4 Company Idents at the beginning of a film, however this may change surrounding several different factors
E.G ( The production company of the film )
Different companies have different idents and therefor the length of the ident's time on screen changes, along with the complexity of the ident. A more complex ident may include a lot of CGI and special effects, where as the idents on the simpler side of the spectrum may only have the companies name in a camera shot. This is often based around the companies budget (The higher the budget the better the ident)
This is a great signifier as to the type of production company ( Whether a subsidiary of the big 5 e.g(Working title) or an Indie company e.g(Warp))
A lot of Idents will have their own sound however depending on the film the sound may be cut out in order to build narrative enigma. This being said, its unlikely that a high budget production company, like one of the big 5, will have their ident edited in order to add an effect to the film.
On the topic of audio in the idents of a film, an audio bridge could and often is used ( An audio bridge is when the audio in the film is added before the 1st shot is shown as to allow for a smoother transition from titles and idents into the film. The audio bridge won't cover anymore than 1 ident if it covers any) Audio Bridges will most likely be added over the last ident, and that will almost never be a large production companies ident and it's much more likely to be a Indie company's ident or a subsidiary of the larger company.
The size of a production company has a large impact on the ident sequence in a film. In addition to all the points already discussed, the larger company will be the first ident shown followed by the smaller companies in order. The amount of time a big 5 ident is on screen is much longer then an Indie's ident length E.G( The big 5 ident could last around 20seconds whereas a Indie may only be 6-7 seconds)
audio bridge between titles (eg Bride of Chucky, Baby Driver)
Foley sound for verisimilitude (Baby Driver, Chucky)
One point to note is the fact that three idents for an Indie film combined are still less than the total time the Disney ident is on screen Disney being one of the Big 5
Titles
- About 20-30 titles, but sometimes only the companies and the director
- The duration of a title sequence is usually about 5 minutes long
- 5 company names are usually mentioned
Total time that titles are on screen varies in different scenarios (from 5 mins to minimum of 20 seconds)
When referring to a company, the text will usually say 'In association with' or 'presents'
When the director is mentioned, it might say 'a film directed by'
Actors will be referred to as 'introducing', 'starring' or 'featuring'
If the director is an auteur, their name is likely to be either first for emphasis, or last
The fonts change based on the genre
Usually serif fonts would be associated with horror/slasher/thriller style of genre
When there is a bigger star, they will earn a bigger title as the aim of the production is to bring more people in with the star power
if it is an auteur director, their name is likely to be larger and have a greater focus on it
Upper case fonts usually bring a larger focus to them, so the important parts might have a large upper case font
The upper case font also depends on the genre as it doesn't fit with genres like romance
Colour also depends on the genre
A horror might have a red or blue tint (intertextualising Halloween if blue)
Zombieland is an example of a movie including interactive titles
THE SPECIFIC WORDING + ORDER
- When a title refers to a company, it will present that company with 'In association with Company X' or 'Company X presents' - When presenting the director, the wording is usually 'A film directed by Director X', however if the director is an auteur the wording is 'A Director X film' - Actors are often listed using ' Introducing' however if the film is a star waggon 'starring' or 'featuring' is more common - Films often go company, director, then actors however this changes depending on several factors. An example is if the director is an auteur, their title is more often first. This is a similar circumstance to films that are star waggons.
Starring, With, Introducing, Co-starring (Actors) Technical Roles (about 10): - Casting by x - Costume designed by x - Music composed by x - Editor x - Director of photography x - Lightning by x - Production designer x
- Screenplay by x - Executive Producer, Produced by x - Directed by x Directed by X (Director is the only one who always gets credited twice)
DESIGN
- The style of the titles usually is based around the genre, similar to points like the title colour and font. - Serif fonts are often used in genres such as romance, drama, social realist, horror, slasher and thriller. Serif fonts tend to signify a more serious film. Where as fonts that are Sans serif are used for genres like action and comedy, as they can be impactful or simple - Depending on the importance of the title, such as a 'starring' title, or an auteur title, the font size will be bigger and tend to stand out more. - Whether the title is uppercase or not depends, as it can be used to bring focus to the title, however it doesn't fit with some genres such as Romance - The colour of the title is most commonly white, as it can be used with most genres if not all, in combination with the font. It also allows important titles like star or auteur to be further highlighted by having them on a black background ( a common background )
FX, ANIMATION
- Non-diegetic titles are titles that are added post production and often move through the scene all though don't effect, just look cool. An example of this is in Zombieland
- Equally there are also diegetic titles that are in the scene that actors could touch or see in real time.
- Often titles just fade out, however different title transitions are also based around genre, so that they fit better with the film.
Production context
Indie v Conglomerate
'71 box office (Warp Indie film)
Green Zone box office (Big 5 conglomerate)
There are several points that separate a Indie film from a Big 5 conglomerate film, such as distribution, cast, target audience, budget and overall box office (etc.) Most of these points are intertwined with one another
To start the budget of a big 5 film will always be larger then an Indie companies budget ( E.G - Le Donk and Scor-zay-zee had a budget of 48k compared to Green zone, with a budget of 100million)
With the budget then you can get A-list celerity actors, that help market your film and then you are more likely to get distribution and then finally get high box office figures
- and clearly Indie companies can't truly do that.
HOWEVER
there are outliers for both sides, such as films like avatar and Star Wars with no A list celebrity actors
and Green zone didn't make profit with the HUGE budget it used
-extreme long shot
-yes and no to typical establishing shot, as it isnt outside but it is first shot and its an els and gives us idea of area
- sirens cut sharp when the doors open ( signifies comedy )
- diegetic sound of doors open, but its exaggerated diegetic sound.
- Character is rushing which connotes seriousness, takes his job serious and is a serious character.
- Rule of thirds, shows hes central protagonist
(side note 'in association with studio canal' shows junior company)
- disguised cut after first shot ( but has an elipses )
- long open take ( 31 sec open take )
- close up of his serious expression, and his badge has same exaggerated impression ( comical )
- A lot of exaggerated points, such as how long his walk is,
- synth note builds up tension
Bridget jones's diary
- london/ england taxis
- snow, signifies christmas
- medium long shot, rule of thirds, central protagonist
- No hat or umbrella, + blonde female ( male gaze )
- reverse tracking shot, tracking her, voice over = central protagonist
- side note - rural village appears cute, nice little village ( what WT does, normative representation of England )
Jaun de los muertos (Original title of Jaun of the Dead) is a Spanish film that follows a group of working class protagonists as they face an army of the living dead.
It's an action, comedy and horror genre hybrid released in 2011, by an Indie film company.
Due to the film heavily intertextualisingDawn of the Dead and Shaun of the Dead, it is a good movie to gather inspiration from for our film opening.
It has several interesting outliers, compared to the usual conventions used in other hybrid genres or other Indie company productions. An example is the lack of special effects used (Connotes low budget which is normal for an Indie company)
Titles
immediately opens with a black screen with a sans serif title that's deteriorating, that's coloured mainly white with tints of yellow. The title reads 'Una coprodccion hispano cubana' which is Spanish for 'A Cuban Hispanic co-production'. This lasts for around 4 seconds before cutting immediately into a extreme long shot, from a birds eye view of a drifting raft in the ocean. There is also an audio bridge of the ocean waves, and this sound is diegetic. This is the only title at the beginning of the film which connotes to the film company being an Indie film company. This is anchored by the amount of time the title appears and the name of the film, Juan of the Deadquite clearly intertextualisesShaun of the Dead and when the name is almost identical it connotes to the theory of simulacra, a post-modernistic theory The use of sans serif connotes that the film is either comedy, action, romance, horror or a zombie film genre or a hybrid genre. In addition the deterioration of the title connotes to the zombie film genre. This also intertextualisesshaun of the dead, as well as 28 days later which are both part of the zombie genre.
First shot
The first shot is a extreme long shot from a birds eye view, this applies itself as an establishing shot as it reveals a lot of exposition as well as being at the beginning of the film, with a black curly haired man with a white tank top, blue jean shorts and a brown leather belt on a raft that is made of different planks of woof some fishing net and 3 visible cannonballs to weigh the net down down and other pieces of sea junk in the middle. The man is laying face up on the raft spreading out over the whole raft. The camera zooms into a long shot from birds eye view, and using the rule of thirds, this connotes to the man being the main protagonist (Possibly connoting to the proppian archetype of a Hero, however its not fully clear as other characters need to be revealed) as he's centre frame as well as the camera zooming in on him. The clothes he's wearing as well as the state of the raft connotes to the man being a working class protagonist, which connotes to an indie film company as well as the film being a horror film. An example of this is in WarpsTyrannosaur (warp is an indie film company and tyrannosaur is a horror film produced by warp) the main character is a working class protagonist with complex motives. On the other hand Bridget Jones' Diary, a working title film (working title is a subsidiary of Universal one of the big 5 conglomerates) the working class characters have very shallow personalities and are often made to look like idiots The birds eye view angle connotes to the character being in trouble. The immediate showing of the main protagonist isn't as effective as a first shot as it removes some of the narrative enigma. A similar start as in the warp film For those in Peril There is also a slight yellow tint on the camera which connotes to a zombie/ horror genre
The mise-en-scene also connotes the character being in a bad financial situation as he can't afford a basic boat. The lack of shoes also connotes to him being stranded as he appears to have discarded his socks and shoes, and this is anchored by the fact he is wearing a brown belt.
