Friday 13 December 2019

BBFC Age rating, Right or Wrong?

What is the BBFC?
The BBFC, or the British board of film classification, is the company that decides what age rating, any film or TV show, is given.
Their goal is to be 'helping children and families choose well by providing them with the guidance they need to help them choose what’s right for them and avoid what’s not.' 


For more information, they talk about it on their BBFC website and their main staff.




This is England - 18+ 

This is England, a classic Warp film, directed by the auteur director Shane Meadows, received an 18+ age rating from the BBFC (British Board of Film Classification). This upset Meadows as not only could the main protagonist not see the film because he was under age, but because the movie was for a primary audience at the ages of 15 - 17, completely killing the message and the preferred reading when the film was released. 
An Image of the reasoning stated on the BBFC website as to why This is England received an 18+ 

This caused a massive outrage from several parties, to the point that even The Guardian added their part to the argument. 


The Guardian article about the argument









On one hand it absolutely kills the target audience of the film, stopping the message it has, get to the people the message was meant for. The film is a film about TEENS trying to find their way and end up going down a dark road, but just like Shaun, people can change the way their heading, and it doesn't matter how far you are down a road. 
So, when that audience is taken away, the reading changes and an audience 18+ will, most likely, be unable to access the preferred reading of the film. 

In an interview with Meadows, he stated this: 
"It's like I've somehow overachieved. By having one piece of violence and one piece of really acute verbal violence I've managed to get an 18 certificate, whereas someone else can slay thousands of people in a single film and that's OK. To be honest I don't understand it because, yes, the film is affecting but I think it's something that someone of 15 can cope with. It's not like it's a film about the 80s that has no value; it's incredibly relevant politically. It's as much about Iraq as it is about the Falklands. It's as much as about England in 2007 as it is about England in 1983."1

This helps show just how important an age rating is, towards a piece of film. It also illustrates how important it is to appeal to a primary audience and, in this scenario, a secondary audience. I think this is a great example to keep in mind in our film opening, as a reminder to keep to the guidelines of the age rating for our primary audience.   


 1Meadows, S (April, 2007 ) At The Guardian, available from https://www.theguardian.com/film/filmblog/2007/apr/23/an18forthisisenglandthis (13/12/2019)  


Sweet Sixteen - 18+ 

On the other hand, it can be argued that the BBFC are just following guidelines they have followed.
Further on in the reasoning the BBFC provided as to why This is England received the rating, they state another example

The last line of the explanation of the This is England BBFC explanation 





Sweet Sixteen is a 2002 drama film directed by Ken Loach. Set in Scotland, the film tells the story of a teenage boy from a troubled background, Liam, who dreams of starting afresh with his mother as soon as she has completed her prison term. Liam's attempts to raise money for the two of them are set against the backdrop of the Inverclyde towns of GreenockPort Glasgow and the coast at Gourock.
The film is often shown with subtitles because, as with many of Loach's films, the dialogue is extensively in a local dialect, in this case the Inverclyde variant of Glaswegian (itself a mix of Scottish English and Scots with Irish and Highland influences). 
Credits to WikipediaSweet Sixteen ( Planning to be updated at a later point) 


In the explanation the BBFC provided about the decision of Sweet Sixteen 's age rating, they provide a very clear reason as to why it was given and equally, if they follow the same guidelines, for This is England.
BBFC's age rating choice for Sweet Sixteen


Now if the BBFC use these guidelines for all films shown in Britain, then it's understandable that This is England got the rating it did, as not only was the language similar to that above, but then it also uses several racial slurs, and it's reasonable for them not to encourage this type of language.




The Worlds End - 15+ 

Goes the other way, even though strong langauge is used :
https://bbfc.co.uk/releases/worlds-end-film
(Going to be Updated later on) 












Wednesday 4 December 2019

Denotation and Connotation

In preparation for mock exams, I wanted to look into the base analysis of any media and how to answer the exam question.

The meaning:

DENOTATION -
Denotation is the first level of analysis, referring to what an audience can literally see. This may be as simple as 'there was a red rose on the wood desk' but it is analysing the frame of a clip and what is completely visible to a viewer.
It is important that it may not only be sight, but that it could be an auditory denotation, as in, the sounds an audience may hear, but the point is still that no further analysis of a symbolic link to the literal description of the sound ( or visual, point is the same )

CONNOTATION -
Connotation is the second level of analysis, this is then where further analysis, past the literal meaning, is drawn. After the denotation of a clip, the analysis then falls to the symbolism of the clip, and broken even further down, the symbolism of an object or part of the clip. This becomes more complex as it is no longer an objective analysis of the clip. An example may be 'the red rose symbolises love and passion' or depending on the genre 'death and blood'

Connotation is the follow up to the denotation and they compliment each other in that regard.

Examples:
To help illustrate the point, here are some examples.
Denotation will be highlighted - denotation
Connotation will be highlighted - connotation
.

Image result for can of red bull
Analysis-

You can denote an energy drink, specifically a normal can of red bull. The character this belongs to is likely young as energy drinks symbolise youth, however it also connotes that the character is not the smartest, and is probably a dumber character overall

The Bechdel Test

The Bechdel test is a way to analyse a film to find female presence, and how developed those characters are.
It was originally created by Allison Bechdel in her comic Dykes to Watch Out for in 1985.
To prevent any bad explanation here is a video about it:
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Tuesday 3 December 2019

Film opening, group and idea changes

Recently myself and Spikey films asked to join Scope films and Trihard prodcutions in creating the film opening, as their third member disbanded from the group, allowing the four of us to work together (As the max for one group is a four). Both of them generously accepted and it is now the main group we are in moving forward.
From this we decided that we wanted to stick with their idea as it is much more developed and has a lot more potential.
This is a video of the discussion we had as a group.
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Credits to Spikey films filming and uploading this clip.

Monday 2 December 2019

A Wipe, in media terms

A wipe is a type of transition on screen, it moves through shots by pushing one shot out by another. This creates a smooth flow of shots that can be used as establishing shots for the opening of a film.
The example that I would draw inspiration from is in Shaun of the dead
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After the conversation with the main protagonist, the film continues to give more detail as to the location and social standard of the film using a series of shots that wipe from one to the next.

Pre-production points

Characters:
  • Main protagonist - Danny Romero - Intertextualising genre directors (Danny Boyle, George A Romero)
  • Love interest - Mia Jones
  • Best friend - Fred East - intertextualises Fred West, a serial killer
  • 3 to 4 zombies 

Extraneous points: 

  • Cornetto trilogy + Shaun of the dead - Cornetto ice cream, like in Shaun of the dead
  • Shallow focus (zombie eating body from far away)
  • decaying title
  • slow zombie movement type, unlike 28 days later