Genre
- psychological thriller
I picked psychological thriller to allow for more experiments trying to build up tension and how to get the audience on the edge of theirs seats
Characters
- Josh a 40 year old male with black hair and a masculine face with no facial hair, average high and in good shape
- Jaziah a 20 year old male with blond hair with a young face no facial hair, slightly under average and in good shape
Base idea
- Working Title 'Two bullets in the chamber'
Main character 'josh' ex marine commander dealing with form of PTSD, Josh's job revolved around keeping everyone in sync but then also having to deal with the dark sides of the military E.G( wife beating, suicide, homicide, other traumatising experiences and ect..) but he blames himself for some of the examples above as he sees his troops as family and to him these acts are his fault.
Conventions
- POV shots
- Flashbacks
- set/costume design
- mis en scene
- screen colouring
Pitch
The synopsis is that we see Josh in a plain room, and we immediately see him having a nightmare and then it cuts to a flash back of him in the military. Soon after that we see that he is struggling mentally because we see conflict in his mind of wether his friend shot himself or he shot his friend, now the means that there is a question to be asked 'did he actually or is it him blaming himself'. finally after the gunshot Josh shoots up and moves around his room, until he takes a gun from his desk and leaves the room
MORE DETAIL
- Opens to a grey apartment room ( similar to the newest version of Sherlock Holmes ) and josh is in bed, visibly having a nightmare, the camera will slowly pan onto his face. Once Josh's face is centre screen a flash back to him and one of his marine friends talking on training grounds and then another quick cut to his face and then into Josh's friend in a black room in a chair with a gun to his head, another quick cut and then cut back and in a flash josh now holds the gun against his friends head. This scene builds up until a gun shot is heard with a pitch black screen, until finally it cuts back to josh shooting up on his bed at the middle of the night, then the scene continues with Josh going to his desk picking up his belongings until he picks up a gun and leaves, the door shut is where the opening should finish.
Signifiers
- plain apartment room ( working class)
- military costume + background training ground (ex marine)
- gun in desk ( ex marine )
- crushed beer can on the floor ( problems / alcoholic )
- masculine strong male shows protagonist
Challenges and Opportunities
- Creating the tension of the gunshot will be hard to build up
- trying to get access to a military training ground could be hard
- getting the timing right with each shot
- making the signifiers key to understand so that the preferred reading is anchored
- Lots of potential for shot types
- lots of media language potential for use when having to use it in exam.
- very easy to anchor the preferred reading
- Good practice for improving cinematography skills
Inspirations
- Sherlock Holmes
-Alien
-Dead man waling
-Dead man's shoes
-This is England
JW: This blog tracks my work towards a new film opening, you'll get to see everything towards the final product.
Thursday, 24 October 2019
Thursday, 17 October 2019
Semiotics rap
Semiotics rap
Connotations and connote
Like a sailing boat
Now your thinking of a captain
With a big hat that’s 10/10
That’s symbolic like a three shot
It connotes scenarios, like a lot
An example is a love triangle
Or if it was horror there’d be a Dutch angle
The next word is denote
That’s the textual detail in a goat
Well that’s an example but what you should project
Is To describe the detail of an object
It’s not about symbolism, unlike a baptism
It’s about what happens not what you think about them
It’s a bit like this rap
You shouldn’t think about it you should just clap
Now we come to narrative enigma
Could show the presence of ligma
Okay now all jokes aside
It’s how the director makes a hidden side
This could be like a high angle
To show a character is week and might get strangled
It’s all about the suggested info
How a character might feel low
Up next is detail that is intertextual
Like Rick and Morty being intellectual
It’s about understanding references
It helps appeal to target audiences
An example would be the simpsons
The amount of references, theres tons
Without the intertextual knowledge
The show would be as funny as a dying hedge.
That’s the end of my rap of semiotics
Before someone needs antibiotics
I hope I got all of this right
Otherwise my media grades arnt in sight.
Friday, 11 October 2019
SEMIOTICS applied to Warp film posters
THIS IS ENGLAND
This is England immediately signifies that its is a social realist production based in England. This is anchored by the title being the colour of the union jack.
Either side of the poster, two buildings are framed either side signifying working class characters. This is further anchored by the urban decay on the fence/ font. All males in the poster are skinheads which anchors working class
'A film by Shane Meadows' denotes the auteur film theory.
Wide long shot denotes ensemble cast, Not a star vehicle. It also signifies a community relationship
The film is based in the 1980's, however nothing signifies that so it is polysemic .
DEAD MAN'S SHOES
The use of bubble font usually signifies comedy however in Dead Man's Shoes the polysemic is immediately anchored by the reviews.
This is also anchored by the axe as it signifies violence.
The framing of the main character on screen, being a dutch angle and low angle suggest that there is something very wrong about the character.
The red background and font signifies blood and also anchors the idea of this movie being a horror
TYRANNOSAUR
Rule of thirds, centrally framed connoting this man as the protagonist
This is England immediately signifies that its is a social realist production based in England. This is anchored by the title being the colour of the union jack.
Either side of the poster, two buildings are framed either side signifying working class characters. This is further anchored by the urban decay on the fence/ font. All males in the poster are skinheads which anchors working class
'A film by Shane Meadows' denotes the auteur film theory.
Wide long shot denotes ensemble cast, Not a star vehicle. It also signifies a community relationship
The film is based in the 1980's, however nothing signifies that so it is polysemic .
DEAD MAN'S SHOES
The use of bubble font usually signifies comedy however in Dead Man's Shoes the polysemic is immediately anchored by the reviews.
This is also anchored by the axe as it signifies violence.
The framing of the main character on screen, being a dutch angle and low angle suggest that there is something very wrong about the character.
The red background and font signifies blood and also anchors the idea of this movie being a horror
TYRANNOSAUR
Rule of thirds, centrally framed connoting this man as the protagonist
However, prop, lighting, mise-en-scene etc connote he could be the antagonist
Own binary opposition - creating narrative enigma
Serif font signifying a drama genre Wrinkles - older man - older audience
Skin head, vest top - working class
High key lighting on only one side - reflects his two different personalities - drama
Own binary opposition - creating narrative enigma
Serif font signifying a drama genre Wrinkles - older man - older audience
Skin head, vest top - working class
Terraced houses on edge of poster - working class
High key lighting on only one side - reflects his two different personalities - drama
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